Henri Cartier-Bresson: For me, photography is the simultaneous recognition of the significance of an event, as well as the determination of its exact form in a split second, which gives this event a special expressiveness. I believe that a thinking person, having known himself, at the same time discovers the world around him, which can change him, and which he himself can influence. There must be a balance between the inner world of a person and the outside world. As a result of constant influence on each other, these two worlds will merge into one. And it is this one world that is worth revealing (in the photo).
But this is only the content of the photo. For me, content is inseparable from form. By form, I mean strict geometric organization of lines, textures and values. Only in such an organization, our emotions and intentions become concrete and clear. Continue reading
Truly wonderful pictures of drops Vladimir Nefedov. Infinitely different forms and images in cosmic natural etudes. Plunging into the “Universe of a drop” of the author, for a moment you do not even believe that such a thing can be captured with the camera. How does a photographer manage this? The photographer told the readers of the “Become a Photographer!” Project as part of an interview about shooting technologies and the nature of fabulous drops.
First, a little about the history of the series “The Universe of Drops” and the author himself. Vladimir Nefedov is a professional photographer with many years of experience. His portfolio includes hundreds of high-quality and photographically perfect advertising works of various subjects, from photography of shoes and interiors to photos of jewelry, from wonderful creative compositional sketches from plain paper to photo-studies from reality surrounding us. In these works, both creative and photographed to order, the author’s true love for his work is felt. Continue reading
Today, my guest is a wonderful photographer Alexander Sennikov, who will please us with emotional and expressive still lifes. Looking at his work, you involuntarily feel a desire to embark on rapturous epithets. 🙂 However, Alexander’s photos are good not only because they bring forth warm memories – they are good “photographically”. Composition and light – the most important tools of any photographer – are used in the still lifes of the author competently and to the point.
But Alexander himself writes about creating his still lifes:
“I have long liked to look at the site where I laid out my macro, photographs — still-lifes of various authors. It was thought that in order to shoot like that, you need some kind of special equipment – illuminators, reflectors, screens, backgrounds, and so on. Continue reading