PHOTO MASTERS: PORTRAIT PHOTOGRAPHY RICHARD AVEDON
Richard Avedon (1923-2004) is an American master of fashion photography. At least, many modern photographers think so, looking at his work. In fact, besides the fashion style that Avedon really…

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HOW TO CORRECT A BROWNED PHOTO?
As an introduction, I chose the picture “Chelubey struggling with overexposure”, which is already familiar to many. This joke of Anton Martynov fits in perfectly with the topic of the…

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PHOTO ASSEMBLY OF THE FACE: HOW TO REPLACE A FAILED GRIMASO BY A BEAUTIFUL SMILE

Today, visiting my blog are American photographers Nina and Cecilia, whose photos I’ve already shown. They will tell about how to make photomontage of the face. Some of the actions described below will save you from headaches in situations where someone in the group portrait blinked, twisted his face, or turned away. Especially often such situations happen with small children. According to Nina and Cecilia, many clients do not even know that the face was taken from another photo. The task of the photographer – to replace the face so that no one noticed.
So, the picture above shows two photos used for the photomontage. The photo on the right is the main one, only the face is taken from the photo on the left.
All pictures are available in large size. Click to enlarge. Continue reading

Where you can shoot, and where you can not
publication in the media, posting on the Internet, printing on booklets, banners, etc. Accordingly, laws regulate these rights differently. And very often allowed to shoot, but prohibit or restrict distribution.…

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25 Tips for taking perfect landscape photos
Although at first glance landscape photography may seem very simple, in fact it is much more than “point the camera - click the shutter”. The purpose of landscape photography is…

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PHOTOGRAPH OF THE WEEK: ALINA LANKINA. POETIC NATURALMS WITH FLOWERS
As you may have guessed, I often visit photosites and I am constantly looking for authors from whom I can learn something. Last week in the next such search I…

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