analyst of modern art
ONLINE ANALOGUE PHOTOSHOP FOR QUICK TREATMENT
In order not to occupy disk space and load the system, I do not install some programs on my laptop, including Photoshop. An intelligent color correction on a laptop monitor never goes out, and it is also not very convenient to clean the garbage and clean the skin with a touchpad. However, it also happens that the computer is not at hand, and an elementary correction of photographs is sometimes required.
For this purpose I use Photoshop online, more precisely, not quite Photoshop, but its online analogue Pixlr. For a quick correction, it has all the basic tools (in the picture above – the vertical panel on the right), as well as many features that are in the usual Photoshop (menu above).
After downloading, the editor offers to open the photo in many ways. You can download from your computer, you can open from the link: Continue reading
HOW TO BECOME A PHOTO REPORTER?
Every week I receive dozens of letters from people from all over the world. My readers are asking how to become a photo reporter. This is a very difficult question, and there is no definite answer to it. There is only one universal way to become a photojournalist – to act here and now. Nevertheless, I understand the curiosity of many beginning photographers, because the work of the reporter is often shrouded in mystery. People ask where it is better to study photojournalism – at university or on courses, or immediately join the ranks of reporters and create a portfolio? Who is better to work with – with a photo agency or Internet service? Where to begin? What to do? Is it possible? How long will it take? How much money does it take to become a photo reporter? Continue reading
ALEXANDER Sennikov. NATURALMS
Today, my guest is a wonderful photographer Alexander Sennikov, who will please us with emotional and expressive still lifes. Looking at his work, you involuntarily feel a desire to embark on rapturous epithets. 🙂 However, Alexander’s photos are good not only because they bring forth warm memories – they are good “photographically”. Composition and light – the most important tools of any photographer – are used in the still lifes of the author competently and to the point.
But Alexander himself writes about creating his still lifes:
“I have long liked to look at the site where I laid out my macro, photographs — still-lifes of various authors. It was thought that in order to shoot like that, you need some kind of special equipment – illuminators, reflectors, screens, backgrounds, and so on. Continue reading
