ABM TYPES OF LIGHT, OR HOW TO IMPROVE LIGHTING IN YOUR PHOTOS
Photography is, first of all, lighting. Sounds simple enough, judging superficially, but, like all photographers, we tend to focus on the object rather than the light. As soon as the…

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WHAT COLOR OF SNOWFLOT, OR HOW TO GET RID OF BLUE SNOW?
Snow! A great many of us love to watch white grains gently fall from the sky. A day off with children, full of running around and happy sledding and snowball…

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SEBASTIAN SALGADO. REPORTING WITH THE CONDITION TO PEACE
Talk about the work of Sebastian Salgado should begin with a question about the functions of photography in society. After all, the world of photography does not end with aesthetics,…

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HOW TO BECOME A PHOTO REPORTER?
Every week I receive dozens of letters from people from all over the world. My readers are asking how to become a photo reporter. This is a very difficult question,…

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ALEXANDER Sennikov. NATURALMS

Today, my guest is a wonderful photographer Alexander Sennikov, who will please us with emotional and expressive still lifes. Looking at his work, you involuntarily feel a desire to embark on rapturous epithets. 🙂 However, Alexander’s photos are good not only because they bring forth warm memories – they are good “photographically”. Composition and light – the most important tools of any photographer – are used in the still lifes of the author competently and to the point.
But Alexander himself writes about creating his still lifes:
“I have long liked to look at the site where I laid out my macro, photographs — still-lifes of various authors. It was thought that in order to shoot like that, you need some kind of special equipment – illuminators, reflectors, screens, backgrounds, and so on. Continue reading

PHOTO MASTERS: PORTRAIT PHOTOGRAPHY RICHARD AVEDON
Richard Avedon (1923-2004) is an American master of fashion photography. At least, many modern photographers think so, looking at his work. In fact, besides the fashion style that Avedon really…

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MARTIN IVNING "ADOBE PHOTOSHOP CS5 FOR PHOTOGRAPHERS"
I studied and learned photoshop, like most photographers - through separate video tutorials and articles, extracts from forums and books. A huge impetus was given to me by Dan Margulis’s…

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