WHEN SOAP is not worse than the "mirror"? MYTHS ABOUT PROFESSIONAL CAMERAS
Why are newly-minded owners of SLR cameras * who do not have the necessary skills in handling photographic equipment, are disappointed in the results they see on the monitor? Why…

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10 steps to shooting a portrait, the experience of Elena Lucan
1. The need to shoot new Every day I think about how I shoot, what I shoot, and especially about how I haven't shot yet. I am inspired by artists,…

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ordinary objects

ALEXANDER Sennikov. NATURALMS

Today, my guest is a wonderful photographer Alexander Sennikov, who will please us with emotional and expressive still lifes. Looking at his work, you involuntarily feel a desire to embark on rapturous epithets. 🙂 However, Alexander’s photos are good not only because they bring forth warm memories – they are good “photographically”. Composition and light – the most important tools of any photographer – are used in the still lifes of the author competently and to the point.
But Alexander himself writes about creating his still lifes:
“I have long liked to look at the site where I laid out my macro, photographs — still-lifes of various authors. It was thought that in order to shoot like that, you need some kind of special equipment – illuminators, reflectors, screens, backgrounds, and so on. Continue reading

WEDDING PHOTOGRAPHY IN RUSSIAN. OLGA FILONOVA
This site has already had a series of articles about the experience of foreign wedding photographers, but, of course, these interviews do not fully describe the photographer from the post-Soviet…

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MARTIN IVNING "ADOBE PHOTOSHOP CS5 FOR PHOTOGRAPHERS"
I studied and learned photoshop, like most photographers - through separate video tutorials and articles, extracts from forums and books. A huge impetus was given to me by Dan Margulis’s…

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MARTIN IVNING "ADOBE PHOTOSHOP CS5 FOR PHOTOGRAPHERS"
I studied and learned photoshop, like most photographers - through separate video tutorials and articles, extracts from forums and books. A huge impetus was given to me by Dan Margulis’s…

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