9 TIPS ON ARCHITECTURAL PHOTO
Photography of classical or modern architecture is a serious challenge. However, the forces spent on shooting buildings and urban historical sights are worth what the photographer most often gets. Here…

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SEE IN BOTH? OR NOT?
Most of us look at the world with two eyes. But whenever a person takes a picture, one of them closes. Maybe we should stop this practice forever? With a…

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beautiful landscape

5 reasons to buy an ultra wide lens

Super wide-angle lenses are a very specific class of optics, with their own features and fields of application. The effect they create is very difficult to replicate with other lenses or programs.
Lenses with a field of view of 90 or more degrees on the diagonal of the frame (that is, wider than those of the human eye) and a certain focal length are considered “super-widths”:
for cameras with APS-C matrix – from 15 mm and less;
for full-frame cameras – less than 24 mm.
Such optics is clearly associated with distortions – perspectives and geometry. Here, these lenses are divided into two classes: fisheye (fisheye) and rectilinear (without distortion). Continue reading

INTERVIEW WITH PHOTO CLASSIC: HENRI CARTIER-BRESSON
Henri Cartier-Bresson: For me, photography is the simultaneous recognition of the significance of an event, as well as the determination of its exact form in a split second, which gives…

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SEE IN BOTH? OR NOT?
Most of us look at the world with two eyes. But whenever a person takes a picture, one of them closes. Maybe we should stop this practice forever? With a…

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HOW TO BECOME A PHOTO REPORTER?
Every week I receive dozens of letters from people from all over the world. My readers are asking how to become a photo reporter. This is a very difficult question,…

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