SEE IN BOTH? OR NOT?
Most of us look at the world with two eyes. But whenever a person takes a picture, one of them closes. Maybe we should stop this practice forever? With a…

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SEBASTIAN SALGADO. REPORTING WITH THE CONDITION TO PEACE
Talk about the work of Sebastian Salgado should begin with a question about the functions of photography in society. After all, the world of photography does not end with aesthetics,…

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5 reasons to buy an ultra wide lens

Super wide-angle lenses are a very specific class of optics, with their own features and fields of application. The effect they create is very difficult to replicate with other lenses or programs.
Lenses with a field of view of 90 or more degrees on the diagonal of the frame (that is, wider than those of the human eye) and a certain focal length are considered “super-widths”:
for cameras with APS-C matrix – from 15 mm and less;
for full-frame cameras – less than 24 mm.
Such optics is clearly associated with distortions – perspectives and geometry. Here, these lenses are divided into two classes: fisheye (fisheye) and rectilinear (without distortion). Continue reading

Photo Basics
This course will help camera owners to deal with camera buttons, leave the “AUTO” mode in the past and learn how to shoot in difficult lighting conditions. And those who…

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ALEXANDER Sennikov. NATURALMS
Today, my guest is a wonderful photographer Alexander Sennikov, who will please us with emotional and expressive still lifes. Looking at his work, you involuntarily feel a desire to embark…

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ARNOLD NEWMAN (ARNOLD NEWMAN): CLASSIC PORTRAIT IN THE INTERIOR
Of course, a modern person, even very superficially familiar with photo art, cannot be surprised with a classic "photo portrait in the interior." But, as you know, any classic was…

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