found something at home
Photographs are becoming more “smart”, more and more perfect and more and more accessible. How did this saying sound from the students of the Moscow State University Journal in the 70s? “Give me Nikon and I will turn the world upside down?” And here he is, Nikon – but will the world turn upside down? Compared to the 70s, yes, but it’s not about Nikon.
In a word, professional, master equipment is not always equal to professional, masterful photos. What you need to go ahead and develop as a photographer? To continue to create, faced with the creative block? To highlight your photos of the billions taken per year? In the end, to find your niche and attract customers? That’s right, creative.
For those who need to shake things up, return inspiration and look at their work from a new angle – 15 tips on how to develop creativity.
1. Forget the rules. Continue reading
Joseph Koudelka is a wonderful person and photographer. He has written a lot of biographical references about him, but those who talked with him personally speak best of him. Therefore, instead of a biography, I am pleased to present you a translation of an interview with a photographer taken by Tim Nokes.
“… Over the past fifty years, Josef Koudelka has shot hundreds of wonderful photos. In a rare interview with a photographer, I was able to question Koudelka about his exciting career and why Koudelka was the only person who could openly criticize Henri Cartier-Bresson.
45 years ago, the photographer for the first time decided to show his photos, and today he is considered a man of mystery. His works reveal the beauty of abstract forms and the plasticity of threatening shadows in desert landscapes, in which people are deprived of the right to vote. Continue reading
Every week I receive dozens of letters from people from all over the world. My readers are asking how to become a photo reporter. This is a very difficult question, and there is no definite answer to it. There is only one universal way to become a photojournalist – to act here and now. Nevertheless, I understand the curiosity of many beginning photographers, because the work of the reporter is often shrouded in mystery. People ask where it is better to study photojournalism – at university or on courses, or immediately join the ranks of reporters and create a portfolio? Who is better to work with – with a photo agency or Internet service? Where to begin? What to do? Is it possible? How long will it take? How much money does it take to become a photo reporter? Continue reading