Restoration of photos - save the memory for many years!
Each family has an old album with different photos. The pictures show not only people who are interested in watching, but also the whole history of the human race. Old…

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25 Tips for taking perfect landscape photos
Although at first glance landscape photography may seem very simple, in fact it is much more than “point the camera - click the shutter”. The purpose of landscape photography is…

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oldest genres of photography

WHEN SOAP is not worse than the “mirror”? MYTHS ABOUT PROFESSIONAL CAMERAS

Why are newly-minded owners of SLR cameras * who do not have the necessary skills in handling photographic equipment, are disappointed in the results they see on the monitor? Why are photographers so indignant when, when meeting with clients, first of all they hear “What camera do you have?” With this rhetorical note we will begin to dethrone the myths about SLR cameras.
Myth 1. A SLR camera anyone can take a photographic masterpiece.
Not true. The masterpiece can also be removed with a standard digital soap dish **, and it will surpass the many technically perfect photos taken by the SLR. The superiority of the masterpiece will be in the plot, and not in technical quality, and this will contribute to the skill of the photographer or great luck. Thus, if you rarely pick up a camera or have recently met with photo art, you should not expect the magic of the appearance of a large number of good photos from buying a professional camera.
There will be more good photos only if you regularly take pictures and get relevant knowledge about the technical and creative aspects of photography from books, courses or the Internet.
Myth 2. Photographs taken with a SLR camera are always brighter, sharper and more qualitative than those shot with a soap box. Continue reading

ONLINE ANALOGUE PHOTOSHOP FOR QUICK TREATMENT

In order not to occupy disk space and load the system, I do not install some programs on my laptop, including Photoshop. An intelligent color correction on a laptop monitor never goes out, and it is also not very convenient to clean the garbage and clean the skin with a touchpad. However, it also happens that the computer is not at hand, and an elementary correction of photographs is sometimes required.
For this purpose I use Photoshop online, more precisely, not quite Photoshop, but its online analogue Pixlr. For a quick correction, it has all the basic tools (in the picture above – the vertical panel on the right), as well as many features that are in the usual Photoshop (menu above).
After downloading, the editor offers to open the photo in many ways. You can download from your computer, you can open from the link: Continue reading

ALEXANDER Sennikov. NATURALMS

Today, my guest is a wonderful photographer Alexander Sennikov, who will please us with emotional and expressive still lifes. Looking at his work, you involuntarily feel a desire to embark on rapturous epithets. 🙂 However, Alexander’s photos are good not only because they bring forth warm memories – they are good “photographically”. Composition and light – the most important tools of any photographer – are used in the still lifes of the author competently and to the point.
But Alexander himself writes about creating his still lifes:
“I have long liked to look at the site where I laid out my macro, photographs — still-lifes of various authors. It was thought that in order to shoot like that, you need some kind of special equipment – illuminators, reflectors, screens, backgrounds, and so on. Continue reading

Where you can shoot, and where you can not
publication in the media, posting on the Internet, printing on booklets, banners, etc. Accordingly, laws regulate these rights differently. And very often allowed to shoot, but prohibit or restrict distribution.…

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Impossible is possible - dynamic portraits from the ambassador Canon Samo Vidic
Ambassador Canon Samo Vidic is a professional sports photographer who shoots the stars of world sport for famous publications and brands, demonstrating his excellent physical shape and skill of famous…

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INTERVIEW WITH PHOTO CLASSIC: HENRI CARTIER-BRESSON
Henri Cartier-Bresson: For me, photography is the simultaneous recognition of the significance of an event, as well as the determination of its exact form in a split second, which gives…

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