HAPPINESS IN FOCUS: INTERVIEW WITH FAMILY PHOTOGRAPH OF EUGENE SURINA
Are you curious how real photographers manage so cleverly to notice the sincere emotions of a family? What do they say to their heroes, how do they cope with difficulties,…

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INTERVIEW WITH PHOTO CLASSIC: HENRI CARTIER-BRESSON
Henri Cartier-Bresson: For me, photography is the simultaneous recognition of the significance of an event, as well as the determination of its exact form in a split second, which gives…

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ALEXANDER Sennikov. NATURALMS

Today, my guest is a wonderful photographer Alexander Sennikov, who will please us with emotional and expressive still lifes. Looking at his work, you involuntarily feel a desire to embark on rapturous epithets. 🙂 However, Alexander’s photos are good not only because they bring forth warm memories – they are good “photographically”. Composition and light – the most important tools of any photographer – are used in the still lifes of the author competently and to the point.
But Alexander himself writes about creating his still lifes:
“I have long liked to look at the site where I laid out my macro, photographs — still-lifes of various authors. It was thought that in order to shoot like that, you need some kind of special equipment – illuminators, reflectors, screens, backgrounds, and so on. Continue reading

How to shoot underwater portraits without leaving home
“For a long time I was engaged in creating scenes and props for my pictures, an occupation that gradually turned into a separate business for the production and sale of…

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3 + 1 SINGLE TRUTH THAT WILL HELP YOU DEVELOP A PHOTOGRAPHIC VISION
That November evening I discovered photography, and for 7 years it has remained for me an incomprehensible magic of forms and emotions. Not a single book, not a single textbook,…

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ABM TYPES OF LIGHT, OR HOW TO IMPROVE LIGHTING IN YOUR PHOTOS
Photography is, first of all, lighting. Sounds simple enough, judging superficially, but, like all photographers, we tend to focus on the object rather than the light. As soon as the…

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