composition of the frame
In my opinion, the most underrated tool of Lightroom is “Separate Tinting”. Meanwhile, this is not only a great opportunity to correct many problems in a photograph, but also a great way to develop your own creative style of image processing.
If you are not familiar with “Separate toning”, then its essence is the following – you apply a specific shade separately to the shadows and lights of the picture in order to get the separation of colors without changing the brightness.
Below is a great example of how Split Toning works. This is a standard gradient map, from pure black to pure white, which demonstrates how shadows translate into light: Continue reading
Perhaps every portrait painter who shoots in the open air faces a problem concerning the main points on which a good portrait depends, such as staging, lighting, composition, etc. And perhaps the biggest mistake made when shooting portraits outside the studio is the lack of attention to the background.
Photographers who do not carefully study the surrounding space in which a photo session takes place are doomed to failure. When they begin to review the footage, it is sure to find out that most of the pictures can be sent to the basket just because the background was not given due attention.
Not one customer will pay for the pictures, where a branch, some other unnecessary detail “sticks out” from a person’s head or other parts of the body. Ignoring the details of the background causes undoubted damage not only to creativity, but also to the financial component of the photographer. Continue reading
Analyzing the work of this contemporary Spanish photographer, critics often use the term “visual poetry,” which takes us far beyond the usual perception of photography.
Even a quick glance at the work of this author forces the viewer to stop the usual circle of thoughts. After all, ordinary things: matches, books, paper, scissors and other household items – in the photographs of Chema Madoz (Chema Madoz) acquire unusual, abstract meanings.
Each of its strict black-and-white photographs, consisting of well-adjusted lines that do not have more than one detail, opens up a new look at familiar objects, forcing you to smile, think, or just see the world differently.
If you take a closer look at the images of Chema Madoz, it’s hard not to notice the surrealistic origins of these images. The author “plays” with the things in the pictures just as in the mid-20th century the famous artist Rene Magritte did this, offering the viewer riddles like, images of a tube with the words “This is not a tube”. Continue reading