HOW TO PHOTOGRAPHY CHILDREN?
And again we will return to this issue, since it is always relevant. This article has collected some tips on child photography. They are described below in two parts: "Camera…

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SIX KILLERS OF NIGHT SKY PHOTOS. HOW CAN YOU SAVE FROM THEM?
One of the best things about night photography is how much it says goodbye — you don't need special weather conditions to create truly beautiful images. Night and city lights…

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How to shoot underwater portraits without leaving home
“For a long time I was engaged in creating scenes and props for my pictures, an occupation that gradually turned into a separate business for the production and sale of…

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GEORGY ROSOV: SECRETS ABOUT PHOTO-TECHNOLOGY FROM A NEW BOOK, EXPERIENCE AND THE WAY OF A PHOTOGRAPH
Are you curious about how reputable photographers go their way? What do they think about the modern photo equipment market, and what is their approach to choosing photographic equipment for…

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PHOTOGRAPHY OF THE CHOICE OF MADOZY (CHEMA MADOZ): THE AMAZING WORLD OF BANAL ITEMS

Analyzing the work of this contemporary Spanish photographer, critics often use the term “visual poetry,” which takes us far beyond the usual perception of photography.
Even a quick glance at the work of this author forces the viewer to stop the usual circle of thoughts. After all, ordinary things: matches, books, paper, scissors and other household items – in the photographs of Chema Madoz (Chema Madoz) acquire unusual, abstract meanings.
Each of its strict black-and-white photographs, consisting of well-adjusted lines that do not have more than one detail, opens up a new look at familiar objects, forcing you to smile, think, or just see the world differently.
If you take a closer look at the images of Chema Madoz, it’s hard not to notice the surrealistic origins of these images. The author “plays” with the things in the pictures just as in the mid-20th century the famous artist Rene Magritte did this, offering the viewer riddles like, images of a tube with the words “This is not a tube”. Continue reading

7 LESSONS OF HENRI CARTÉ-BRESSON THINKING PHOTOGRAPHY

Henri Cartier-Bresson – one of the most famous photographers in history. He is a co-founder of Magnum’s photo agency, which brilliantly captured not only events, but also the spirit of the 20th century. The life of the photographer was filled with adventures and excitement, which were reflected in the very essence of his work, so loved by us. Photos by Henri-Cartier Bresson and detailed information about him can also be viewed in another article on this site by clicking on the link.
How can you learn from the maestro better photograph? Here are the seven fundamental principles of the work of the great Henri Cartier-Bresson.
1. Be in the thick of things
Almost immediately after Henri Cartier-Bresson discovered photography in the 20s of the last century, he set out to explore new places and be in the center of the most important events. The curiosity of the photographer and the natural curiosity were for him a single concept.
Cartier-Bresson’s career proves the importance for photographers never to stagnate, but to follow their natural curiosity and avoid patterns. Continue reading

ON THE WORK OF PHOTOGRAPHERS “MAGNUM”

Do you understand that the most important thing in photography is your own unique vision? Then this article will undoubtedly be useful to you.
A bit of background
Magnum Agency is famous for gathering in its ranks dozens of talented documentary and creative photographers, people who certainly have something to learn.
This article will contain quotes and illustrations from the book Magnum Contact Sheets, accompanied by some conclusions of the author of the original of this article, the street photographer Eric Kim, about photography. Regardless of how much your views coincide with what is described here, this material will help you draw your own conclusions.
A contact sheet is a series of consecutive frames printed directly from a film. He talks a lot about the unique workflow of a particular photographer, allows him to follow his approach to a particular scene, starting with the first frame that the photographer took when he saw it. Continue reading

3 + 1 SINGLE TRUTH THAT WILL HELP YOU DEVELOP A PHOTOGRAPHIC VISION
That November evening I discovered photography, and for 7 years it has remained for me an incomprehensible magic of forms and emotions. Not a single book, not a single textbook,…

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9 FAMOUS PHOTOGRAPHS WHERE YOU NEED TO LEARN
Do you rarely come across good portrait photos, or have no idea which ones are good? You have already understood that photographic vision is that skill that no one can…

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