HAPPINESS IN FOCUS: INTERVIEW WITH FAMILY PHOTOGRAPH OF EUGENE SURINA
Are you curious how real photographers manage so cleverly to notice the sincere emotions of a family? What do they say to their heroes, how do they cope with difficulties,…

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SEE IN BOTH? OR NOT?
Most of us look at the world with two eyes. But whenever a person takes a picture, one of them closes. Maybe we should stop this practice forever? With a…

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INTERVIEW WITH PHOTO CLASSIC: HENRI CARTIER-BRESSON

Henri Cartier-Bresson: For me, photography is the simultaneous recognition of the significance of an event, as well as the determination of its exact form in a split second, which gives this event a special expressiveness. I believe that a thinking person, having known himself, at the same time discovers the world around him, which can change him, and which he himself can influence. There must be a balance between the inner world of a person and the outside world. As a result of constant influence on each other, these two worlds will merge into one. And it is this one world that is worth revealing (in the photo).
But this is only the content of the photo. For me, content is inseparable from form. By form, I mean strict geometric organization of lines, textures and values. Only in such an organization, our emotions and intentions become concrete and clear. Continue reading

SEE IN BOTH? OR NOT?
Most of us look at the world with two eyes. But whenever a person takes a picture, one of them closes. Maybe we should stop this practice forever? With a…

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9 TIPS ON ARCHITECTURAL PHOTO
Photography of classical or modern architecture is a serious challenge. However, the forces spent on shooting buildings and urban historical sights are worth what the photographer most often gets. Here…

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HOW TO BECOME A PHOTO REPORTER?
Every week I receive dozens of letters from people from all over the world. My readers are asking how to become a photo reporter. This is a very difficult question,…

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