LESSON PHOTOGRAPHY FROM ELLIOTTA ERVITT
Even if you are not familiar with the name of Elliott Erwitt, his photos must have met you on the Internet. He is not only a member of the Magnum…

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ONLINE ANALOGUE PHOTOSHOP FOR QUICK TREATMENT
In order not to occupy disk space and load the system, I do not install some programs on my laptop, including Photoshop. An intelligent color correction on a laptop monitor…

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5 reasons to buy an ultra wide lens
Super wide-angle lenses are a very specific class of optics, with their own features and fields of application. The effect they create is very difficult to replicate with other lenses…

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5 reasons to buy an ultra wide lens
Super wide-angle lenses are a very specific class of optics, with their own features and fields of application. The effect they create is very difficult to replicate with other lenses…

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setting is a harmonious

ARNOLD NEWMAN (ARNOLD NEWMAN): CLASSIC PORTRAIT IN THE INTERIOR

Of course, a modern person, even very superficially familiar with photo art, cannot be surprised with a classic “photo portrait in the interior.” But, as you know, any classic was once a modern, like the genre of “environmental portraiture”, which originated in the name of Arnold Newman.
In the middle of the twentieth century, during the period when A. Newman lived and worked, this genre was an innovation. A photographic portrait of the twentieth century is a rather faceless set of standard poses and angles that depict people regardless of their lifestyle and personal qualities.
The artistic vision of A. Newman caught this flaw by suggesting ways to solve the problem, which later formed the basis of his work. The photographer decided to shoot in a different way, to make portraits so that the image becomes a mini-biography, psychological portrait, describing both personal qualities and the atmosphere of a person’s life. This idea was introduced by a photographer from a painting, where the technique has been used for a long time. Continue reading

Tips for creating a female portrait
What type of portrait to choose, in what format is better to shoot, how to reveal the best in the model and what to focus on. Why are some people…

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INTERVIEW WITH PHOTO CLASSIC: HENRI CARTIER-BRESSON
Henri Cartier-Bresson: For me, photography is the simultaneous recognition of the significance of an event, as well as the determination of its exact form in a split second, which gives…

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