development of aesthetics
1. The need to shoot new
Every day I think about how I shoot, what I shoot, and especially about how I haven’t shot yet.
I am inspired by artists, photographers, directors who influenced visual art in general. I watch their work, read the biography and when something catches me, I stop and want to repeat.
Of course, I like the image that needs to be decoded, deciphered, when the question arises: how to take it? Then the task appears by itself – to eliminate gaps in the technique and methods of shooting.
There is a burning need to shoot as I do not know, shoot otherwise. And then I start looking for a model.
2. Model selection Continue reading
Photography is, first of all, lighting. Sounds simple enough, judging superficially, but, like all photographers, we tend to focus on the object rather than the light. As soon as the photographer sees something unique or original, he immediately focuses on this, and not on the lighting and the resulting exposure, which are necessary primarily to obtain an image of the object being shot.
How to improve lighting
Just as the search and observation of an object is a difficult task, the search for the right lighting to help you capture dramatic photos is a task that requires a special approach. The Golden Hour is always referred to as the best time of day for shooting. However, not only in the hours close to sunset and sunrise there is an opportunity to take a photo with a sharp lighting. Train your eye to see dramatic light, and its various options.
As one might expect from the name, side lighting is a type of lighting in which light falls on an object from the side. This usually provides greater contrast, long shadows can be created, and depth is added to the image. This type of lighting can add dramatic emphasis to architectural and portrait photography. Continue reading
Of course, a modern person, even very superficially familiar with photo art, cannot be surprised with a classic “photo portrait in the interior.” But, as you know, any classic was once a modern, like the genre of “environmental portraiture”, which originated in the name of Arnold Newman.
In the middle of the twentieth century, during the period when A. Newman lived and worked, this genre was an innovation. A photographic portrait of the twentieth century is a rather faceless set of standard poses and angles that depict people regardless of their lifestyle and personal qualities.
The artistic vision of A. Newman caught this flaw by suggesting ways to solve the problem, which later formed the basis of his work. The photographer decided to shoot in a different way, to make portraits so that the image becomes a mini-biography, psychological portrait, describing both personal qualities and the atmosphere of a person’s life. This idea was introduced by a photographer from a painting, where the technique has been used for a long time. Continue reading