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PHOTOGRAPHY OF THE CHOICE OF MADOZY (CHEMA MADOZ): THE AMAZING WORLD OF BANAL ITEMS
Analyzing the work of this contemporary Spanish photographer, critics often use the term “visual poetry,” which takes us far beyond the usual perception of photography.
Even a quick glance at the work of this author forces the viewer to stop the usual circle of thoughts. After all, ordinary things: matches, books, paper, scissors and other household items – in the photographs of Chema Madoz (Chema Madoz) acquire unusual, abstract meanings.
Each of its strict black-and-white photographs, consisting of well-adjusted lines that do not have more than one detail, opens up a new look at familiar objects, forcing you to smile, think, or just see the world differently.
If you take a closer look at the images of Chema Madoz, it’s hard not to notice the surrealistic origins of these images. The author “plays” with the things in the pictures just as in the mid-20th century the famous artist Rene Magritte did this, offering the viewer riddles like, images of a tube with the words “This is not a tube”. Continue reading
ARNOLD NEWMAN (ARNOLD NEWMAN): CLASSIC PORTRAIT IN THE INTERIOR
Of course, a modern person, even very superficially familiar with photo art, cannot be surprised with a classic “photo portrait in the interior.” But, as you know, any classic was once a modern, like the genre of “environmental portraiture”, which originated in the name of Arnold Newman.
In the middle of the twentieth century, during the period when A. Newman lived and worked, this genre was an innovation. A photographic portrait of the twentieth century is a rather faceless set of standard poses and angles that depict people regardless of their lifestyle and personal qualities.
The artistic vision of A. Newman caught this flaw by suggesting ways to solve the problem, which later formed the basis of his work. The photographer decided to shoot in a different way, to make portraits so that the image becomes a mini-biography, psychological portrait, describing both personal qualities and the atmosphere of a person’s life. This idea was introduced by a photographer from a painting, where the technique has been used for a long time. Continue reading
7 LESSONS OF HENRI CARTÉ-BRESSON THINKING PHOTOGRAPHY
Henri Cartier-Bresson – one of the most famous photographers in history. He is a co-founder of Magnum’s photo agency, which brilliantly captured not only events, but also the spirit of the 20th century. The life of the photographer was filled with adventures and excitement, which were reflected in the very essence of his work, so loved by us. Photos by Henri-Cartier Bresson and detailed information about him can also be viewed in another article on this site by clicking on the link.
How can you learn from the maestro better photograph? Here are the seven fundamental principles of the work of the great Henri Cartier-Bresson.
1. Be in the thick of things
Almost immediately after Henri Cartier-Bresson discovered photography in the 20s of the last century, he set out to explore new places and be in the center of the most important events. The curiosity of the photographer and the natural curiosity were for him a single concept.
Cartier-Bresson’s career proves the importance for photographers never to stagnate, but to follow their natural curiosity and avoid patterns. Continue reading
